Filmic Commoning

Is an Enthnographic Film a Filmic Ethnography?

Panohaptic Interface for Architectural Filmic Improvisation

This project attempts to redefine an augmented reality (AR) architectural concept of traversing the filmic space as a method in a new remote navigational interfa­ cing. Through Panohaptic visualization one is invited to experience a soft architectural space in an improvisational manner, connecting the physical optic world to the haptic through AR and digital filmic media. The main goal is to be...

Commoning: on the social organisation of the commons

Despite centuries of enclosure and commodification, the commons remain an enduring way of organising, and one that may have an increasing relevance as we fall further into economic and ecological crisis. After exploring the ambivalent relationships between the commons and capitalism, the paper argues that the commons are best understood not as a resource but as a social process of organisation ...

Towards the interactive filmic narrative - "Transparency": An experimental approach

Nowadays, the cinematographic language claims for a specific type of interpretation and understanding. The emergence of the digital image and the innovative immersive reception devices provide new and diverse possibilities of reading and interacting within the filmic narrative. That is to say, cinema is constantly reinvented and explores potential renewals within the new interactive medias. Thi...

Embodied Airborne Imagery: Low-Altitude Urban Filmic Topography

Aerial photography has been the leading method for collecting and mapping information via remote sensing from the environments such as cities. Usually the qualitative analysis of the images is performed by human observation in a form of descriptive pattern recognition and manual spatial associations. These techniques for many years have created unique means of remote sensing whether through sof...